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Entries in DAW software (4)

Wednesday
Mar312010

Exclusive aM Cubase 5 Tutorial Vids from Steinberg's Greg Ondo

World-class Cubase expert Greg Ondo recently stopped by audioMIDI.com HQ to make some tutorial vids showing off some of Cubase 5's great new features (in widescreen hi-def too- click the video to go to YouTube and see the hi-def version). We've got three more on the way, so watch for 'em! Get Steinberg Cubase 5 HERE.

Friday
Jan162009

NAMM '09- Cubase 5... look out! 

Ok, so I haven't really seriously given any thought to stalwart sequencer Cubase since my Mac was black and white (and believe me, it was a sequencer back then, not a "DAW"). But I got a demo today, and as my hatred of Garageba-Logic 8 steadily increases, Cubase sure looks, well, likable. Here's some of the neato stuff in Cubey-Five-0: - Vari-Audio: Anybody out there use Melodyne? I do, and I love love love it. But I gotta admit, I often scratch my head and say, "why doesn't someone just build this functionality right into the DAW, so you could double-click a vocal and start tuning, just like Melodyne?" Steinberg did it, and it kicks ass. - Loopmash: this is a little hard to describe without seeing it in action, so I'll do my best, but Loopmash lets you drag and drop drum loops into a window where they continuously playback. The top one is the master, so all the loops beneath automatically sync and quantize to the feel of the master. But what's super cool is that each loop has a horizontal slider next to it that acts as a "how much" control... i.e. it doesn't adjust volume per se, but instead how many elements of the slave loops play- it starts with kicks and snares and adds more as you crank the sliders. It's super cool, and a very musical way to make a zillion variations all quick-like. Oh yeah, and the rep told me that "Timbaland flipped when he saw it". (I think this was supposed to impress me... now, for the record, my appearance is that of the fictional sixth member of The Cars circa 1979. "Uh, yeah, uh, Timbaland... er... that's def, yo." Whatever, but Loopmash IS cool.) There's also an Akai MPC-style drum plug-in, because apparently they wouldn't let a manufacturer hit the NAMM show floor unless they had some kind of MPC-ish functionality in your hardware or software. Did I tell you about the marching-band bugle I saw with a built in MPC emulator? Price should be unchanged (around $599 retail, actual price less) and it ships in February.
Thursday
Jan152009

NAMM '09- Ableton steps it up with Live 8

Tension was in the air at 11:AM this morning (ok, actually video cameras were in the air) as Ableton made their big version 8.0 upgrade announcement. Here's whatcha need to know... - bigger, badder warp engine that lets you adjust warp markers live on-ye-fly. They did a pretty impressive demo where a vocal track got stretched 'n' squashed live before your eyes. - new Looper instrument that works just like the dedicated floorbox ones. - new Vocoder, Multiband Dynamics, Overdrive, Limiter and Frequency Shifter effects. - tons of sound library additions. - new "groove engine" that lets you easily extract feels and imbue them on other audio. - new "Collision and Corpus" a physical-modeling instrument for mallet percussion sounds (cue sound of Zappa fans rejoicing). - lots of new tricks for the "Operator" synth including improved mod routing and additive wavetable synthesis. But the "real big news" is that Ableton and Akai have co-developed this superfly control surface exclusively for Live: Whoa, right? All those Monome-ish buttons have tri-color LED's, and let you turn clips on and off. All the other sliders and buttons do the standard mute/solo/mixer/tranport/crossfader type stuff. It's gonna include a custom-tailored version of Live, and the whole package will be just $399. The lovely lady at Akai tells us it'll be out in May. But there's STILL more... Ableton's partnering up with Cycling '74 with "Max for Live". This gives MAX/MSP object functionality inside Live 8 objects, and should be a BIG hit with the cutting edge electro crowd. This should be out uh, "later in '09" they're sayin'. Finally, Ableton introduced a "Share Live Sets" feature which lets users share song files over the web by assigning projects a unique URL for sharing, and lets the song "owner" give access privlileges to others. Finally, it's smart- it only copies files that the collaborators don't already have, which should speed things up when going back and forth on a project. That'd be "later in '09" too. All in all, a good time to be an Ableton Live user (btw, us Logic users got, uh, nothin'. Apple isn't even at NAMM. Doh.).
Friday
Oct262007

Two indispensible utilities for Windowsaudio users that we don't sell

There are two questions that I often ask myself: 1) "Where did all my disk space go?" and 2) "What the heck is using up all my disk space" It's true, when it comes to disk space, I gorge on it.  Especially on special 15K RPM recording drives where space is at a premium. To answer question #1 I use: http://www.foldersizes.com This gives you a big pie chart of your drive and what folders are hogging it all up.  If its a directory, you can drill down and it will show you what files in that directory are the users.  It makes what used to take an hour or so just a few seconds, doesn't cost much ($49.95) and it has a 15-day fully functional trial in case you don't take my word as gospel.  And its SFA (Safe for Audio), doesn't install any services in the background or do anything to "help" you until you ask. It also has a duplicate file finder, but if you needs for finding multiples go beyond what FolderSizes can do you can also purchase from the same company Duplicate File Detective, which tracks down, well I imagine you have that figured out.  But it has good tools for not only finding, but handling those duplicate files and making sure they are really duplicates.  Same again with cheap and the free trial. No, we don't make any money off them, but if you're happy, we're happy, and if a lot of free drive space makes you happy, this may help.